July 06, 2026
by Stavros Niarchos Hall
Rigoletto
Opera – Giuseppe Verdi
July 2027
Conductor: Lukas KarytinosStage director, sets, costumes, lighting: Nikos S. PetropoulosRevival stage director: Ion KesoulisChorus master: Agathangelos Georgakatos
Starring Dimitri Platanias, Dionysios Sourbis, Vassiliki Karayanni, Yannis Christopoulos, Petros MagoulasFeaturing Soloists, the Orchestra, and Chorus of the GNO
Tickets will go on sale on 1 February 2027.Booking for members of the operaclub.nationalopera.gr has already opened.
Stavros Niarchos Hall
Opera
Giuseppe Verdi
Available Dates
17, 20, 22, 23, 25, 28, 30 Jul 2027
Opera • RevivalStavros Niarchos Hall of the GNO – SNFCC
Starts at: 20.00 |
Lead Donor of the GNO
Major Sponsor
Giuseppe Verdi’s Rigoletto, one of the most daring and popular works in the world repertoire, a story that illuminates the fiercest sides of human nature, will return to the Stavros Niarchos Hall in July 2027 for seven unique performances. In this iconic production by the Greek National Opera, featuring stage direction and set, costume and lighting design by Nikos S. Petropoulos, the action is reimagined from Renaissance Mantua to 1938 Milan. Set against the backdrop of Italy, misled by the illusion of Mussolini’s fascist glory and plunged into moral decay, the stage transforms into a suffocating film noir universe, where shadows seem more real than light, and power is displayed with cynical, extreme arrogance.
The drama revolves around Rigoletto, one of the most complex and contradictory characters in the operatic repertoire, who struggles to protect his daughter from the very world he serves. Yet, fate, heralded as a curse from the outset, looms over the story like a shadow. Love turns into weakness; revenge into a trap; and sacrifice into tragic irony. In her effort to save the man who betrayed her, Gilda is driven to self-destruction, while Rigoletto is led to his final downfall.
Verdi’s music, showcasing unprecedented compositional boldness for its era, crafts detailed psychological portraits of the characters. As critic Tommaso Locatelli had remarked at the 1851 premiere, here, the orchestra ‘speaks, weeps, and moves the audience’ in an overwhelming way, following the violent shifts between cynicism and affection. From its menacing overture to the heart-wrenching finale, the score engages in a perfect conversation with the atmosphere created by the direction, reminding us that the arrogance of power and the need for revenge are timeless. In this ‘realist historical drama of the 20th century’, redemption proves a painful fallacy, and tragedy culminates in ruthless determinism, leaving the audience exposed to the grandeur of a destiny that allows no room for escape.
In Rigoletto, nothing remains innocent; neither love, nor power, nor even justice itself. The work remains, to this day, a fascinating study of power, innocence, revenge, and sacrifice, on a ruthless path towards destruction.
Portraying Rigoletto will be one of the world’s leading performers of this role, the Greek baritone Dimitri Platanias. In the second cast, the exceptional baritone Dionysios Sourbis from the GNO will make his debut in the title role.
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